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James Kiberd  
The Meyer Schapiro Award
honors the artist’s
d r a w i n g s
black and white drawings


Pondering your drawings, my mind’s eye finds a deep cave in the Dordogne Valley in France. On a wall in that cave, and before time, an unknown artist draws. Perhaps alone, perhaps accompanied. Unwittingly, he creates on his rough wall an image that will alter the development of civilization: the powerful image of a mammoth.

 

Disclosing what cannot be told - what unfolds visually, beyond simple narrative - your drawings are powerful manifestations of energy, each compressed and extensible: some fluid, some emblematic, some organistic. Like accordian pleats, they open, close, fold, unfold, reorganizing themselves into rhythmic wholeness.
 
 
 
 
 
 

For the Woman from Abiqui #3
For the Woman from Abiqui #1

charcoal on paper
40"H x 26"W
For the Woman from Abiqui #2
For the Woman from Abiqui #2

charcoal on paper
40"H x 26"W
For the Woman from Abiqui #1
For the Woman from Abiqui #3

charcoal on paper
40"H x 26"W
For Seizon #1

chalk/charcoal on paper
50"H x 38"W
For Seizon #1

Your eye loves The Essential Pattern, the essence of our world. Yearning beyond mere appearance toward a deeper veneration of our physical world, you seek no less vigorously the abstract in that world.

 

Like the mammoth on the cave wall, your work shows artist and beholder an image there, yet not there; present, yet absent. This paradox would have puzzled our ancestral observer: the artist knew that with his hands he had made the mammoth appear. Apparent and real, of form and substance, of hunting magic and, perhaps, of religious feeling. The artist who paid attention to this new image field would learn a new way of looking at the world.
 
 
 
 
 
 

For Seizon #2

chalk/charcoal on paper
50"H x 38"W
For Seizon #2
For Seizon #3

chalk/charcoal on paper
50"H x 38"W
For Seizon #3

Your drawing is, from my vantage, analogous to that original graphic act: the trace which outlasts the gesture that created it. In snow or in seasand we see the magic of making traces, the purity of which is the progressive changing of a surface coincident with the moving of the hand.

 

The singular value of your drawing as drawing is in its energy's freedom and surprise, which - beyond the act of making - remain to touch our deepest feelings. We are priveleged to welcome you as the first Meyer Schapiro Artist.

 

James M. Rosen
Director
The Meyer Schapiro Program

 
 
 
 
 
 
For Full #1
For Full #1

charcoal on paper
20"H x 15"W
For Full #2
For Full #2

charcoal on paper
16"H x 19"W
Inside Out - Study
Inside Out - Study

charcoal on paper
26"H x 21"W
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STILL

I remember my mother drawing. Drawing me. I was three... or four? What struck me was the stillness. Firstly, how still she wanted me to be. But more importantly, how still she was. Still, but with such intensity. It was a stillness that transformed. Transformed her. I had never seen her this way. Transformed me. I had never been so still; yet in that stillness my mind moved ever faster. Transformed us. It’s the first time I remember doing something solely for another person. Being still, not moving, seemed such a strange thing to be doing. Yet, in these moments I was aware of something so special happening. In that stillness, she seemed to bring herself totally to her senses; where as soon as she was still enough to observe what she was seeing, she drew. At that moment of giving herself up to her senses, creation began. And to be in that moment was for me a miracle. It was a place where time seemed to stop... and life could begin. It was a place I longed to visit... Still.

(please click on images below for detail)
Jardin D’Amour / 1996

charcoal on paper
24" H x 19" W
Jardin D’Amour #2 / 1996

charcoal on paper
24" H x 19" W
Prayer for the
Central African Republic / 1996


charcoal on paper
50" H x 38" W

Courtesy of the
Issacman Collection
66W - Menu / 1996

charcoal on paper
50" H x 38" W
66W - Capital Crunch / 1996

charcoal on paper
50" H x 38" W
Home / 1996

charcoal on paper
50" H x 38" W

Courtesy of the
Consuelos Collection
 
 
 
 
 
 
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copyright ©1998-2000 by James Kiberd