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The Meyer Schapiro Award honors the artists d r a w i n g s |
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Pondering your drawings, my minds eye finds a deep cave in the Dordogne Valley in France. On a wall in that cave, and before time, an unknown artist draws. Perhaps alone, perhaps accompanied. Unwittingly, he creates on his rough wall an image that will alter the development of civilization: the powerful image of a mammoth.
Disclosing what cannot be told - what unfolds visually, beyond simple narrative - your drawings are powerful manifestations of energy, each compressed and extensible: some fluid, some emblematic, some organistic. Like accordian pleats, they open, close, fold, unfold, reorganizing themselves into rhythmic wholeness. |
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For the Woman from Abiqui #1 charcoal on paper 40"H x 26"W | |
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For the Woman from Abiqui #2 charcoal on paper 40"H x 26"W | ||
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For the Woman from Abiqui #3 charcoal on paper 40"H x 26"W |
For Seizon #1 chalk/charcoal on paper 50"H x 38"W |
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Your eye loves The Essential Pattern, the essence of our world. Yearning beyond mere appearance toward a deeper veneration of our physical world, you seek no less vigorously the abstract in that world.
Like the mammoth on the cave wall, your work shows artist and beholder an image there, yet not there; present, yet absent. This paradox would have puzzled our ancestral observer: the artist knew that with his hands he had made the mammoth appear. Apparent and real, of form and substance, of hunting magic and, perhaps, of religious feeling. The artist who paid attention to this new image field would learn a new way of looking at the world. |
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For Seizon #2 chalk/charcoal on paper 50"H x 38"W |
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For Seizon #3 chalk/charcoal on paper 50"H x 38"W |
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Your drawing is, from my vantage, analogous to that original graphic act: the trace which outlasts the gesture that created it. In snow or in seasand we see the magic of making traces, the purity of which is the progressive changing of a surface coincident with the moving of the hand.
The singular value of your drawing as drawing is in its energy's freedom and surprise, which - beyond the act of making - remain to touch our deepest feelings. We are priveleged to welcome you as the first Meyer Schapiro Artist. James M. Rosen Director The Meyer Schapiro Program |
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For Full #1 charcoal on paper 20"H x 15"W | |
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For Full #2 charcoal on paper 16"H x 19"W | ||
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Inside Out - Study charcoal on paper 26"H x 21"W |
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